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Production and Direction (MA/PDip)
The programme offers advanced training in filmmaking integrated with courses in film history and analysis. It is designed to give students a thorough understanding of the film-making process from a professional and a critical perspective. Film criticism comprises approximately half of the course, with the rest of the time devoted to production practice and hands-on film-making experience.
Huston School of Film and Digital Media
The Huston School of Film and Digital Media was established in 2003 under the active patronage of the (John) Huston family. The School offers a dynamic approach to film and digital media training, with a strong emphasis on critical studies. As well as offering postgraduate programmes, the Huston School also hosts a range of guest seminars during the year with academics and practitioners of film. The Huston School hosts an extensive range of special events and guest seminars during the year. Visitors since 2003 have included: Gabriel Byrne, Seamus McGarvey, Fionnula Flanagan, James Cromwell, John Boorman, Roddy Doyle, Colin MacCabe, Laura Mulvey, Howard Rodman, Mike Figgis, Peter Sheridan, Liz Gill, Paddy Breathnach and Alan Gilsenan.
Applications and Selections
Who Teaches this Course
- Dr. Seán Crosson, MPhil, PhD
- Dr. Mary Watson Seoighe, PhD
- James Finlan, MA
- Patsy Murphy, MA
- Rod Stoneman, BA, PG. Dip
Requirements and Assessment
1 year, full-time
Next start date
A Level Grades ()
You are advised to apply early, which may result in an early offer; see the offer round dates
Next start date
Mode of study
MA—90, PG Dip—60
The Production Practice module covers Camera, Editing, Production, Direction and Sound. In the first semester, students take part in directing workshops, where they learn techniques such as blocking actors for camera. These are taught as hands-on exercises, where students block and shoot a scene from a feature film as a workshop exercise. Academic modules include Creative Documentary, Imaginative Reponses, and Theory of Film Practice. These classes involve regular screenings, discussion and analysis. In the second semester, students help make two short films, collaborating with teams from the MA (Public Advocacy) on one of them, and they should be prepared to work flexibly in the various roles involved in the production process.
Academic modules include Creative Documentary, Imaginative Reponses, and Theory of Film Practice. These classes involve regular screenings, discussion, and analysis. In the second semester, students realise two short films, collaborating with teams from the MA (Public Advocacy) on one of them, and should be prepared to work flexibly in the various roles involved in the production process.
Why Choose This Course?
Who’s Suited to This Course
Related Student Organisations
Fees: Student levy
Fees: Non EU
M.A. EU Full time programme: €6,015 (inclusive of Levy €224); P.Dip. EU Full time programme: €5,965 (inclusive of Levy €224).
Postgraduate students in receipt of a SUSI grant – please note an F4 grant is where SUSI will pay €2,000 towards your tuition. You will be liable for the remainder of the total fee. An F5 grant is where SUSI will pay TUITION up to a maximum of €6,270. SUSI will not cover the student levy of €224.
Postgraduate fee breakdown = tuition (EU or NON EU) + student levy as outlined above.
Find out More
T 353 91 495 920 / 492 999
E firstname.lastname@example.org | email@example.com
What Our Students Say
Kyle Kroszner |
I decided to come to NUI Galway to study Film because of the atmosphere. Galway's reputation for the arts is known around the world, but I wanted a school whose expectations were as high and achievable as my own. NUI Galway has that, but it also has much more. I wanted to learn more about Irish culture, storytelling, and the Irish language and I found it not only in the school, but in the city centre, outside of Galway City, and Connemara.
Niall McCann |
The MA in Production & Directioin was everything I was looking for and more. The library offered me the chance to immerse myself in filmmakers and films I would not have ordinarily have come into contact with. Guest lecturers and Trips to film events can only serve to set further light to any enthusiasm for film a student has. The course consists of a strong emphasis on technique, structure and form, wherein the practical and theoretical combine offering a new and unique way of approaching the art form. I am currently in production on my first feature documentary titled ART WILL SAVE THE WORLD with Happy Ending Productions and I was actively encouraged and helped in every way by the staff to make this film a reality whilst studying in Huston. The MA changed my life or at least gave me the confidence I needed to change it.