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There are currently thirty-nine doctoral students working in the English Department. Their work concentrates on the areas of theatre history and policy; a digital edition of the works of Thomas Moore; Irish nationalist culture; book history; medieval concepts of chivalry; eighteenth-century and modern poetry.
PhD Students in Department of English 2011-2012
|
Name |
Thesis title |
| ANSALDO, Marina |
Troilus & Cressida |
|
ARNOLD, Sarah |
Female Monstrosity in Horror and Sci-Fi Cinema |
|
BERGIN, Alan |
The Fiction of Katherine Cecil Thurston |
|
BROWNE, Andrew |
Thomas Kinsella and American modernist poetry |
|
BUCKLEY, Megan |
Four Galway Women Poets |
|
CASEY, James |
The Ideological Subtexts in the Disabilty Film. |
| CONNELL, Meaghan | Counting the Tongue: Investigations into Irish-English Dialect Literature |
| DOHERTY, Neassa | The Dublin Group and Eighteenth Century Print Culture c. 1740-1775 |
| DOWD, Ciaran | Being and Witness: Cormac McCarthy’s Metaphysical Tension |
| DOWNES, Rebecca | Death and Dying in Banville and Coetzee |
| GALLAGHER, Rosemary | Anti-War Comedic Literature of Heller, Robbins, Vigorito, Vonnegut |
| GILCHRIST, Hazel | ’Ireland’s “I”: Identification within Irish Texts and Contexts, 1930-1960 |
| GRIFFIN McGUIRE, Ciara | Embodiment and Identity in the Literature of South Asian Women Writers |
|
HOLMES, Patricia |
The Irish Traveller: Beyond the Stereotype |
|
HYNES, Kevin |
Hiberno-English: Quo vadis? The English Dialects of Modern Ireland in a Multicultural Age |
|
JOHNSON, Veronica |
Representing the Unconscious in Cinema |
|
JONES, Kristin |
Magic Realism in Samuel Beckett and Flann O'Brien |
| KEADY, Ann | Early Modern Travel/Travel Advice |
| KENNEDY, Seamus |
Censorship of comedy on the grounds of religious offence |
|
KING, Nora |
Confessions in literature from Jacobean Drama to the twentieth-century novel |
|
MCCORMICK, Sheila |
Documentary Theatre and the Rise in Reality Entertainment |
| MONTAGUE, Conor | Big Houses, Epistolary Relationships, and the Irish Revival |
| MOUTON KINYON, Chanté | Postcoloniality in the Irish and Harlem Renaissances |
| Nì CHUALAIN, Mairead (M.Litt) | Taibhdhearc na Gaillimhe: Staging works derived from English and Hiberno-English |
|
O’CONNOR, Doreen |
Supernatural landscapes and expressions of violence in Irish poetry of the Early Nineteenth Century. |
| O'DONNELL, Niall (with Huston Film School) | Recurring Nightmares: Recontextualising Gothic Horror Literature and the Twentieth-Century Horror Film |
| O'DOWD, Ciara | Irish Actresses of the 1930s |
|
O’FLAHERTY, Emily |
The Poetry of Mary Barber |
|
O'GORMAN, Siobhan |
A Comparative Study of Suzan-Lori Parks and Marina Carr: Identity, Canonicity and Culture |
|
O’MALLEY, Garret |
Morality in Contemporary North American Literature: Transgressive Fiction from 1985-2001 |
|
PHILLIPS, Beth |
Ethnic Realism via Clifford Odets and his European infuences |
| PURCELL, Siobhan | Deforming Disability in the works of James Joyce and Samuel Beckett |
|
ROONEY, Paul |
Secrets and Social Responsibility in Victorian Crime Fiction |
|
SMITH, Jen |
The Artefact Book |
|
TROUPE, Shelley |
Druid Theatre, 1975-2005 |
| WARD, Brian | Prelude to a Rising: Irish Periodical Cultures, 1912-1916 |
|
WEBB, Jena |
Violence and Graphic Imagery in Anglo-Saxon Literature |
|
ZACHARY, Ayla |
British Imperial Policy and Popular Theatre in Ireland, Canada and the US, 1888-1911 |
Recently completed doctoral theses include :
Fiona Bateman: ’The Spiritual Empire: Irish Catholic Missionary Discourse in the Twentieth Century’
Francesca Benatti: ’A National and Concordant Feeling: Irish Penny Journals, 1832-1842’.
William Burke (with Huston Film School) : 'Adaptation of Comic Books and Graphic Novels to Cinema'
Emily Cullen: 'Meanings and Cultural Functions of the Irish Harp as Trope, Icon and Instrument: The Construction of an Irish Self-Image'
Coralline Dupuy: ’The Mentor in Nineteenth-Century Fantastic Literature and Detective Fiction’
Anne Karhio: 'Poetic Discourse and the Formation of Place in the Poetry of Paul Muldoon'
Tim Keane: 'Cultural Relations between English Radicalism and Irish Nationalism in the Nineteenth Century'
Sean Kennedy: ’The Artist from Nowhere?: Historicizing Beckett’,
Kinga Olszewska: ’Wanderers across Language: Exile in Irish and Polish Literature of the Twentieth Century’
Irina Ruppo: 'Ibsen and 20th-Century Irish Drama'
Katrin Urschel: 'Surfacing again: Ethnic identity in Irish-Canadian literature'
Julia Walther: 'Women in Irish Publishing'
Katharina Walter: 'Eavan Boland & Medbh Guckian's Poetry'
Grace Windsor: 'Representations in Medieval Literature'
The Department works closely with The Moore Institute, and mentors post-doctoral researchers in Irish writing; literary journalism; cinema; and periodical literature.
