Dr. Aimee Mollaghan is the BA Connect with Film Studies Coordinator at the Huston School of Film & Digital Media. Her responsibilities include Erasmus and work placements for undergraduate film studies students.

Teaching Modules
Academic Research and Writing in Film Studies
Introduction to Visual Culture
Film Studies Research Project
Film Genre
Applied Film Studies

Peer-Reviewed Articles
“‘An Experiment in Pure Design:’ the Minimalist Aesthetic in the Line Films of Norman McLaren” in Animation Studies Journal. July 2011. Vol. 6. Nicola Dobson (Ed.). pp. 26 -33.
“An Audiovisual Gallivant: Psychogeographical Soundscapes in the Films of Andrew Kötting” in The Soundtrack Journal. 2010. Vol. 3, Issue 2. Stephen Deutsch (Ed.) Intellect Publishing. pp. 125 – 130.

Other Publications
“Review of Erin Brannigan. Dance and the Moving Image,” Screen Journal. Spring 2012. Vol. 53, Issue 1. Oxford University Press. Karen Lury (Ed.), pp. 99 – 101.

Conference Papers
July 2012 “A New Language for a New Art: Conceptions of Harmony in the Digital Cinema of John Whitney,” Screen Conference, University of Glasgow.
Feb 2011 S.M.I.R.G. (sound and moving image research group) panel on music in Fleisher animation, Sound Thought Conference, University of Glasgow.
Sept 2010 “Audiovisual Gallivant: Psychogeographical Soundscapes in the Films of Andrew Kötting,” Sounding Out 5 Conference, University of Bournemouth.
July 2010 “An Experiment in Pure Design:’ the Minimalist Aesthetic in the Line Films of Norman McLaren,” Society for Animation Studies Conference, Edinburgh College of Art.
June 2010 “Audio-Visual Harmony: An Analysis of John Whitney’s Arabesque,”
MeCCSA PGN Conference, University of Glasgow.
June 2010 “To Infinity and Beyond: Minimalism in the Visual Music Film.”
Art, Performance, Film Conference, University of Glasgow.
Nov 2009 “Symphonie Diagonale: A Musical Reading.” Sound Thought Conference, University of Glasgow.

Dr. Mollaghan's research interests include conceptions of sound and music in film and animation. She is concerned with exploring sound and soundscape across disciplinary boundaries. She is also interested in psychogeography and representations of landscape in the British and Irish artist film.